This week Liam (I'm not entirely sure who you are but anywho) and I must have been on a similar brainwave as our blogs both circulated around a very interesting and key word in our everyday lives - fuck.
http://ncorrsoc250.blogspot.com.au/2012/09/australian-cultural-scripts-bloody.html
Sunday 23 September 2012
Thursday 20 September 2012
Excuse me?
“Get fucked!”
Am I angry with you? Am I excited? Am I
jealous of you? Am I implying some strange seductive relationship? These two
words are built with meaning depending on the way I say it and in what context I
say it. It is these two seemingly simple words that resonate with numerous
connotations and meanings. The phrase is a signifier of my culture (us Aussies
are so laid back and swear whenever the opportunity presents itself – I’m sure
you can relate), and expresses and indicates a variety of emotions.
Gabriel in the article “The
Heteroglossia of Home” attempts to understand Bakhtin’s theory of hetereoglossia:
“The presence of heteroglossia is manifested in the
multiplicity of signs and meanings linked dialogically through the interplay
between the various levels of discourse or utterance—contextual, extra-
linguistic as well as intra-linguistic—that exist within the creative and relational
aspects of the novel” (2006, p41). In layman’s terms (or what I like to call
Cassie’s terms), a word has layers upon layers of meaning, which is constructed
of all its previous experiences and exposures. Linking back to the “get fucked!”
example, there are numerous of implications to the phrase depending on its perceived
context; if I were to say this to my mother-dearest, I am sure she would have a
small heart attack and attempt to ground me for the rest of my life even if I
was only trying to express my surprise. Yet if I were to say this to a BFF, I’m
sure they would answer with “bloody oath” (or some other bogan idiom). Again,
the reaction in a literal sense would imply having a sexual relation with a
man, woman or goat. The words remain the same, yet the connotations establish
its definition. Ultimately, the word itself means nothing without a historical,
cultural and social context.
Like, it’s um… nearly um… as interesting
as… uh… um… yeah… hedging.
Gabriel, S 2005, “The Heteroglossia of Home”,
Journal of Postcolonial Writing,
vol.41, no1, pp40-53.
Monday 17 September 2012
Comments, comments, comments.
Yes, I am posting a link to my own blog. This week I received some valuable comments, and I decided to reply to them as my comment for the week.
http://thesoc250network.blogspot.com.au/2012/09/cracking-code.html
http://thesoc250network.blogspot.com.au/2012/09/cracking-code.html
Thursday 13 September 2012
Cracking the Code
Considering the reading delved into the
codes of convicts, I couldn’t completely relate to what Wieder
was inferring; No, I have not been to jail - I’m not THAT badass. Hence I
adapted this idea of codes by following suit
from Barney Stinson (please, acknowledge the pun) from How I Met your Mother. If you are not familiar with Barney Stinson
and his Bro Code, you should be embarrassed and ashamed of yourself and you
should start watching HIMYM ASAP. Anyway, I thought I would demonstrate the
understanding of codes through a slightly superior set of Bro Codes – The Girl
Code. Here are only a few of the many codes that a lot females follow each day,
which are slightly adapted, yet quite similar, to the inmates’ codes (145-147):
- 1. Above all else, never ever ever date a friend/sister’s ex boyfriend - you just don’t go there.
- 2. Don’t let a girlfriend go out looking like she was blind whilst getting dressed.
- 3. Don’t take advantage of, or manipulate your girlfriends. Chicks before dicks. Always.
- 4. Sharing is caring – two wardrobes are better than one.
- 5. Help your friends in need. Be there for some huggin’ and lovin’.
- 6. Do not mess with your friend’s love interests or crush.
- 7. Cheaters and ex-boyfriends are the enemy.
- 8. Stick up for your friends – show your loyalty ladies!
It is these codes, and whether or not
you conform or rebel against them, that dictate the type of relationship you
have with female counterparts. We are ultimately socialized to understand,
imitate and follow these codes without being told. If any of these codes were
broken, a culprit may be shunned from the group, labeled a ‘slut’ or ‘hussy’,
or may be forced to lead a life full of cats and forever-alone memes. These harsh consequences ensure that females inherently follow the code, without being aware they are doing so.
Ultimately, whilst reading Wieder’s
article this week I was constantly having small epiphanies as I realized that
my identities and performances are just a bunch of codes put together – whether it be the Girl Code,
the Waitress Code, the Girlfriend Code, or the Family Code. In so
many situations and contexts we continuously follow unwritten guidelines
in fear of being shunned and labeled differently - even if it does mean not buying that new skirt because your friend already has it.
Wieder, L, 1974, 'Telling the code', in R Turner (ed), Ethnomethodology: Selected Readings , Pengiun Education, Harmondsworth, pp144-172
Saturday 8 September 2012
Comments Galore.
Just a little comment on a fellow blog.
http://sociologyblogging.blogspot.com.au/2012/09/garfinkel-and-ethnomethodology.html?showComment=1347159023610
http://sociologyblogging.blogspot.com.au/2012/09/garfinkel-and-ethnomethodology.html?showComment=1347159023610
Wednesday 5 September 2012
Rules are rules.
I tried, I really did. I thought I would be able to crack
the codes of Garfinkel’s breaching experiments – surely the theory of a highly accredited
and esteemed sociologist can’t be true? Humans aren’t that predictable! Are we?
Turns out we are. After entering a game
of naughts and crosses with my brother, who happens to be a very competitive
and serious player (expect him at the next world championships), I pulled out
some trickster moves by moving his pieces so I could win. Needless to say, I
don’t think I will be playing that game with him any time soon. After screams
of frustration and yelling, “Can you just be serious for once!”, I explained to
him that he was indeed a hamster in my experiment. Ruddigah* would hence be in
the 95% of subjects who objected to or demanded an explanation in Garfinkel’s
experiments.
I think in a sense
Garfinkel and Goffman work hand in hand, in that we live our everyday lives by
social scripts but when one deviates from the ‘norm’, then things start to get
a bit weird, awkward and potentially all hell breaks lose. We have social
rules, just like rules to a simple game, which are so ingrained in us that instructions
are rarely needed. Ultimately, when we don’t play the social life game
according to the rules or attempt to change the rules, we are classified as deviant
and basically weird.
I think that these experiments prove and reveal “how deeply
rooted these tacit common assumptions are” (Flam 2005, p58). Yet, I think that
Flam does raise an interesting point: to assume every individual
interprets a sociological image or text in a certain way is too simplistic (Flam
2005, p66). Although there can be a preferred or majority reading by the
audience, it depends on the meaning the responder has constructed and
attributes to the particular situation. What if my brother wasn’t a serious
naughts and crosses expert? What if the game was suddenly life threatening –
you win you live, you lose you die? What if he didn’t originally know the
rules? All these are contributing factors to how he reacted when I changed a
cross into a naught.
Who would have thought a game of naughts and crosses and a slight look into our reactions to weird things would end in such a thought-provoking week of
sociology.
*Name has been changed due to humiliation (I think the name Ruddigah
is enough satisfaction for me)
Heritage, J 1984, ‘The morality of
cognition’, in Garfinkel and Ethnomethodology, Polity Press, Cambridge,
pp57-102.
Flam H, & King, D (ed.) 2005, Emotions and social Movements, MPG Books
Ltd, Bodmin.
Sunday 2 September 2012
I'm Postin' - They're Lovin'.
Just a little comment on Caitlin's blog to share the love.
http://caitlinwestsoc250.blogspot.com.au/2012/08/dramaturgy-performances-and-award.html?showComment=1346289434543
http://caitlinwestsoc250.blogspot.com.au/2012/08/dramaturgy-performances-and-award.html?showComment=1346289434543
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